Monday 23 June 2014

Technical Drawings

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Technical Drawings

Technical drawings are a means to communicate fine, detailed information about a piece of designed jewelry which helps in its construction. It is the link between the designer and the craftsman. With the help of technical drawing a craftsman is able to determine how the piece will turn out to be and what methods of manufacturing he has to apply in order to attain the desired result.

There are two basic categories of technical drawing:
Orthographic Representation
Perspective Drawing

In this post of Jewel Affair only orthographic representation will be covered.
Importance of Technical Drawings:
When one looks at the basic front view of a design it can be interpreted in different ways. For example if one looks at a circle drawn on paper it can be either interpreted to be a sphere or a flat disc. But if one provides the same circle with a technical view, it communicates exactly what has been thought of and hence, it avoids unnecessary confusion.

IMPORTANCE OF TECHNICAL DRAWINGS


Orthographic Representation:
It is a way of representing a three dimensional object in two dimensions. This is achieved by creating different views of an object. These views are:-
Top view: this view can be defined as the face of an object or how the product appears when viewed from top.
Front view: the elevation of the product is referred to as the front view.
Side view: this view usually shows the left or the right side of an object.

This helps in replicating the product with precision and accuracy. To create the orthographic representation actual dimensions of an object are used.

Construction of an Orthographic View:
CONSTRUCTION OF ORTHOGRAPHIC VIEW

Material required- pair of set squares, ruler, pencil, eraser and a drawing sheet.
With the help of your set squares draw the ‘x’ and ‘y’ axis. Mark 30 mm on all four quadrants. And then join the marked points to create a square. What we achieve here is a big square with four small squares inside. These small squares are called quadrants.
The outlines created are called the projectors and they are perpendicular to the faces of the object and parallel to each other.

The quadrants are marked with numbers.

RULE:
Never draw inside the quadrants. Drawing has to be done on the extended lines of quadrants 2, 3, and 4.
In quadrant 1 we draw an angle of 45° and extend the line outside the big square. Top view is represented by extension of quadrant 2. Front view by quadrant 3 and side view by quadrant 4.
Always take the measurements in millimeters and show the measurements always in the front and side views.
This is the basic guideline of an orthographic view.

Further illustrated here is the view of a flat band.
 
ORTHOGRAPHIC VIEW OF A FLAT BAND
Construction: Material required- pair of set squares, ruler, pencil, eraser, a drawing sheet and a compass.
Draw the basic guideline as explained above.
Measure the ring size or the finger size, the thickness of the shank the width of the band and outer size (ring size + thickness of the shank)
Extend the lines of quadrant 2 horizontally and vertically. Mark the width of the band on the ‘y’ axis (vertical) and the outer size on the ‘x’ axis (horizontal). Now, with the help of the set squares draw a rectangle with these measurements. This is the top view of the band.

Extend the lines of quadrant 2 corresponding to the outer size vertically downwards to quadrant 3. Mark the outer size on ‘x’ and ‘y’ axis and draw a square of this size. Using a compass to draw a circle of 9 mm radius, touching the four corners of the square. Also draw a smaller circle of 8 mm radius inside the 9 mm circle. This represents the elevation or the front view of the flat band.

To create the side view lines have to be extended both from top and front view.
From the top view extend the line which corresponds to the width horizontally until it meets the extended angle line created in quadrant one. From the point where it meets the angle line, extend the line vertically downwards.
From the front view extend lines corresponding to the outer width and lines corresponding to ring size horizontally towards quadrant 4. When the lines from both the front and top view meet the side view is automatically created.
One could also create cross sections in the front and side views to facilitate clear understanding of the design.
For this flat band, cross section of the side view is presented. To draw the same extend the lines of the side view vertically downwards. Using the same measurements create the same view as above. The only difference will be that the cross section will reveal the thickness of the shank.

Tip: try to imagine the flat band in your head and how it will look when it is cut.

Imagination is a powerful tool for a designer. One has to give it a right direction to achieve desired results. Similarly orthographic view is what will give one the direction to accomplish the pre-determined idea.





Tuesday 10 June 2014

Sources Of Inspiration



“Creativity involves breaking out of established patterns in order to look at things in a different way.”- Edward De Bono
This quote very beautifully expresses that without change there is no innovation or scope for improvement. To bring about this change one needs to be constantly inspired by something new.
Field of jewelry yearns for new unique concepts and designs. To fulfill this requirement a designer needs to draw inspiration from various avenues. Drawing inspiration requires keen observation and analysis of visual information which is collected from various sources that surround us. And this information forms the very base for one’s designs.

There are infinite sources to get inspiration from, but for convenience a few sources are being listed below:

Nature: the word nature is derived from the Latin word natura which in ancient times literally meant “life”. Nature provides us with innumerable ideas and concepts. The array of beautiful colors to birds, insects, flowers, galaxy etc. Every dimension of nature is captivating. An eye of detail is what is required to make the best use of this inexhaustible source. Conclusions drawn prove out to be a good starting point to create designs.
NATURE

History & Art Eras: art eras like Art Nouveau and Art Deco can have strong influences on designing. Even periods like Edwardian and Georgian, Medieval etc. can prove out to be rich sources of inspiration.
The architecture, painting, textiles, sculptures of these periods can provide one with dynamic concepts. Our very own Indian culture is a treasure of such ideas. Scripts of various languages are again an interesting source to work with.
ART DECO
INDIAN CULTURE
ART NOUVEAU

Symbolic sources: a lot of jewelry is designed keeping in mind various symbolic sources like zodiac signs, representative forms of Gods and Goddesses, religious symbols, organizational signs etc. this also includes various geometrical shapes. Creating a slightly different style with these shapes can produce remarkable results. Permutation and combination of these shapes can be a great base for one to work with.

SYMBOLIC SOURCES


Theme or Concept: when a designer is given a particular theme or concept to work upon, inspiration can be taken from various aspects of the provided theme. Recording and analyzing the information collected and incorporating the same in the designs is a healthy practice. Working for a jewelry brand is an inspiration in itself. To create new designs keeping in mind the style of the brand is an interesting exercise and challenge.
Various other sources like books, magazines, art exhibitions, public forums, museums etc can also be really helpful.
There are absolutely no parameters as to what one can get inspired from. An open mind is all it takes to create a spectacular range of jewelry.

Tip: Always maintain a sketch book to record your observations for reference.


 PICTURES ADOPTED FROM GOOGLE